Same proceure as every year” : 2. A000 television professionals from 25 countries—including most of the Unite Kingdom—gathere this week in the unpreictable weather of Scotland’s capital. A this time in the midst of the Brexit storm . A to find a cure Edinburgh TV Festival 2019: To survive TV must stop being polite for the disappearance of their industry. A which is still worth $500 billion. Between self-celebration. A BBC-bashing. A and overt “youth mania. A” the question on everyone’s mind: with the proliferation of broadcasting platforms. A how can we obtain the scripts that guarantee success, which will notably legitimize the survival of public broadcasting?
A suggestion made by Dorothy Byrne Channel 4’s news director stop being polite.”
Competition from broadcasters across the Channel is particularly fierce: Netflix engineering email list is borrowing billions to secure the most attractive broadcasting rights and continues to enrich its British catalog of 700 programs in Shepperton Studios, Amazon Studios is building a team in the UK to produce flagship programs that recycle BBC stars, YouTube Originals is launching into mainstream science with its stars and wants to become “ the largest library in the world ”, Sky ’s program budget has just been double by the new owner Comcast, and Boris Johnson prefers to self-produce on Facebook Live rather than appear on Channel 4’s news.
Each, on this battlefield
Highlights their “so British” particularity by claiming to be the complement only how can freelance journalists leverage social meia? we can be the creators of the other. A lot of complementarity for little available brain time. And even less with BritBox, the SVOD platform of the BBC (10% participation) and ITV (90%), which is announce for the end of the year in the UK, and which aims to reach an audience of 2M in 2 years (compare to 11.5 M for Netflix today). With a slight vagueness around how the two meia will manage the broadcasting rights, at a time when the BBC has just obtaine a 1-year streaming extension for its iPlayer.
This is also a concern for producers, for whom Sara Geater, chair of PACT, notes that ” negotiations are not going very well .” Whether it’s fiction, information, or entertainment, it all becomes a question of choosing the right broadcasting platform, and the default solution is no longer necessarily the BBC.
Fair information or just entertainment?
It is not the BBC that is hosting Carole Cadwalladr , the investigative Edinburgh TV Festival 2019: To survive TV must stop being polite journalist who reveale thailand lists the Cambridge Analytica scandal, but Richard Gizbert of Al Jazeera . And it is not on the BBC that the Facebook scandal was expose but in a Te Talk .